If you are auditioning the vocalist via both routes, the voice should appear louder to you and the singer during a take, but be set properly in the mix during playback. By a benign twist of fate, this is usually exactly what you and they want. Note that there are 2 Aux Sends and 2 stereo Aux Returns. Few people buying a mixer will need to be told how an Equalizer works. But how to get the best out of it? It was a corrective device. Tamla Motown turned that notion upside down in the sixties with the novel idea that you try to find for each instrument a characteristic frequency not shared by the other instruments in the mix.
Then you whack up its gain. This makes individual voices punch through a mix in a slightly unnatural but exciting way. In general corrective EQ usually involves broadband slope contouring, together with narrowband notching of unwanted resonances. The broader the band, the more musical but less instrument-specific the effect. For sounds which require drastic corrective EQ, it is advisable to have a couple of channels of fully comprehensive Parametric Equalization in your rack.
You can always bounce tracks though the outboard EQ, freeing up the unit for the next task. Now use a Parametric EQ band to boost the most significant frequency for each instrument or tape track. Over all channels, if two or more of these frequencies coincide, then you might have to settle for second best in some cases, if you want to achieve optimum separation in the mix.
Really nasty frequencies will need notching out. With the LF set to boost, and the Lo Cut switch activated, you have pretty much got a peak response rather than shelving at the bottom. Good for tight but deep bass. Remember EQ contouring can be done with cut as well as with boost.
Cutting away the top and bottom, then pushing up the Gain is equivalent to mid range boost! EQ is not a one way street! Setting up the channel input Gain is discussed in the essential section 5. Master Aux Send levels are fixed at Unity Gain. Outboard reverbs etc. On the other hand, digital distortion is not one of the nicer noises around.
Noisy FX or synth returns can be greatly improved by the addition of single-ended noise reduction between FX output and Aux or channel Returns. Analogue multitrack tape should be driven quite hard, since its dynamic range without noise reduction is likely to be dB worse than other elements in the recording chain.
Try to record bright. You can always mix back duller. Brightening up an off-tape signal will bring up the level of tape noise. With digital tape or hard disk you have plenty of dynamic range, and treble pre-emphasis is not often necessary. When mixing or recording, keep the channel fader levels around or below 0 dB. If you do find the faders creeping up or down, apply a suitable offset over all channel faders, and try to control your bad habit in future!
Allow 1 minute after powering up for the system to equilibrate before setting input gains. Care should be taken not to plug mics into the console or stagebox while the Phantom Power is on. Most of them are balanced. Serial Number Please take the time to fill out and return the warranty card within 14 days from the date of purchase, so as to be entitled to benefit from our extended warranty.
Remember the Phantom Power switch. Phones outputs Will feed headphones. Allow the system to adjust for a couple of seconds after engaging phantom power before setting input gains. First off, it is important to avoid earth loops. A looped wire acts an aerial, picking up hum and electromagnetic radiation. Think of a tree. Every part of that tree is connected to every other part, but only by one route.
Rather you should be looking at disconnecting the signal screen somewhere. A good suggestion is to ensure that all screens are commoned at the mixer. Keep both the earth and screen connected at the amplifier. The MXA will then be earthed via the amplifier. This wiring method is certainly not the only one but it usually works best. Some quality equipment has an independent signal and mains earth. In this case at least one screen should carry earth to the equipment.
Sometimes the only way to find out is to experiment. Always use short as possible patch leads with the screen connected at both ends. The earth wiring scheme would be the same as before. By shorting the ring to the sleeve for all balanced jack sockets connected to unbalanced equipment, you could use balanced patch leads throughout.
There is no benefit in wiring a balanced output to a balanced input with a mono patch cord. Having designed mains hum out of the system, make up your cable looms from the patchbays outwards, and use cable ties, flexible sheaths, multicores etc.
Possibly even lost equipment! As a result of these efforts, modifications may be made from time to time to existing products without further notice. Specifications and appearance may differ from those listed or shown. Attempt only if you are experienced in using an iron on PCBs. Otherwise, refer to qualified personnel. Links should not be threaded into holes on the PCB.
They should be soldered to the tinned areas around the holes, and bowed slightly upwards in between. If you want to convert them, carry out the modification described below to each mono channel you want to be altered. The right PCB area is indicated by a yellow printing see figures below. Repeat for all mono channels you want to be modified.
It is possible to expand your mixing system by combining two or more mixers. Great for adding tape monitor returns etc. The Aux outputs should be routed only to individual Aux Send buses on the master console.
These buttons enable you to feed the balanced output of the MXA to the Mic input of another console. This way it is possible to make for instance a separate keyboard or drum kit mix and feed that to the front of house console without having to use XLR to jack adapters to feed the line inputs which may also be unbalanced.
Failure to return the card in due time date as per postmark will void any extended warranty claims. Based on the conditions herein, the buyer may also choose to use the online registration option via the Internet www. If the warranty claim proves to be justified, the product will be returned to the user freight prepaid. Warranty claims other than those indicated above are expressly excluded.
All inquiries must be accompanied by a description of the problem. Shipments without freight prepaid will not be accepted. Any repair or opening of the unit carried out by unauthorized personnel user included will void the warranty. Such costs will also be invoiced separately when the buyer has sent in a written repair order.
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It has the most used features for weekend warriors. It has plenty of inp A high-quality rotary potentiometer feeds the main mix via a constant-power channel pan potentiometer. There are two line-level stereo aux returns at the top of the output section.
They can be used to return stereo effects or MIDI instruments etc. In addition, a stereo tape input is provided, which may be routed to the main mix or the control room mix, giving the MXA a total of 14 possible inputs during mixing. Any amplifier circuit is limited in its transient response by the available current. Every mixer has numerous line level operational amplifiers op-amps inside.
When being driven hard, many desks begin to show signs of stress due to power supply limitations. The sound will always stay clean and crisp right up to the operating limits of the op-amps themselves, thanks to the generous 20 W external power supply unit. Be sure that there is enough space around the unit for cooling and please do not place the MXA on high temperature devices such as power amplifiers etc. When switched on, parts of the desk and the power supply unit will become warm, this is normal during operation.
Welcome to ManualMachine. We have sent a verification link to to complete your registration. Log In Sign Up. Forgot password? Enter your email address and check your inbox. Please check your email for further instructions. Enter a new password. Retain Instructions: The safety and operating instructions should be retained for future reference. Heed Warnings: All warnings on the appliance and in the operating instructions should be adhered to.
Follow instructions: All operation and user instructions should be followed. Water and Moisture: The appliance should not be used near water e. Ventilation: The appliance should be situated so that its location or position does not interfere with its proper ventilation.
Heat: The appliance should be situated away from heat sources such as radiators, heat registers, stoves, or other appliance including amplifiers that produce heat. Power Source: The appliance should be connected to a power supply only of the type described in the operating instructions or as marked on the appliance. Grounding or Polarization: Precautions should be taken so that the grounding or polarization means of an appliance is not defeated.
Power-Cord Protection: Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to cords and plugs, convenience receptacles and the point where they exit from the appliance. Cleaning: The appliance should be cleaned only as recommended by the manufacturer. Non-use Periods: The power cord of the appliance should be unplugged from the outlet when left unused for a long period of time.
Object and Liquid Entry: Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings. Damage Requiring Service: The appliance should be serviced by qualified service personnel when: - The power supply cord or the plug has been damaged; or - Objects have fallen, or liquid has been spilled into the appliance; or - The appliance has been exposed to rain; or - The appliance does not appear to operate normally or exhibits a marked change in performance; or - The appliance has been dropped, or the enclosure damaged.
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