AIR Flanger: Lets you apply a short modulating delay to the audio signal. AIR Phaser: Applies a phaser to an audio signal for that wonderful"wooshy," "squishy" sound. Just don't kick your computer trying to get the springs to rattle! The Spring Reverb plug-in models an analog spring reverb. An analog spring reverb is an electromechanical device much like a plate reverb. AIR Distortion: Instantly adds color to your audio signal with various types and varying amounts of distortion.
AIR Fuzz-Wah: Lets you add color to an audio signal with various types and varying amounts of transistor-like distortion. AIR Lo-Fi: Plug-in that you can use to bit-crush, down-sample, clip, rectify, and mangle an input signal. AIR Enhancer: Enhances the low and high broadband frequencies of an audio signal. This is a popular effect with DJs and is commonly used in electronic music production especially in dance music.
Have fun with filter sweeps or give your sounds that extra-resonant aura. From simple room sounds, to long […].
From simple room sounds, to long evolving modulated halls, short gated drums to exotic reversed effects, reverb is one of the areas that can define a mix. Used well, reverb can be almost invisible or it can be one of the primary elements of the mix. With so many songs now being recorded in small project studios, where the natural room acoustics are far from ideal, and therefore reduced wherever possible, where guitars are often recorded with a DI and then re-amped with an amp simulator, and where dry virtual instruments and synthesizers form a large portion of the instrumentation, it is of enormous importance to be able to use reverb effectively, and to have a selection of different styles available to you.
In Pro Tools there are seven different reverb plug-in options, from the classic D-Verb, to the three AIR reverb effects, Avid Space and the Avid Black Spring and Studio Reverb plug-ins, it can be easy to feel spoilt for choice, especially as many plug-ins duplicate the sounds of others. In this tutorial we will walk through some of the options available for adding reverb to a guitar signal, recorded straight in through the line out on our Audio Kitchen The Big Trees amp head.
This is a 2. In the first example we explore the different tones that can be achieved using a typical spring reverb effect on guitars placed both before and after the speaker.
Spring reverbs are popular in many guitar amps, and are usually placed in the FX loop of the amp — between the preamp and power amp stages. Placed after the speaker emulation the spring reverb responds to the already coloured signal, whereas before the reverb is working on a more full range signal, and the resulting signal is itself then coloured to produce subtly different textures.
Read where Phoenix Verb sits in my mastering chain. Tverb by Eventide is a reverb plug-in that recreates the sound of Tony Visconti's music production technique used most notably in the recording of David Bowie's Heroes vocals.
At first glance Tverb appears to be just another emulation, it isn't. The best way to describe Tverb is that it is a channel strip with room reverb effects. Tverb features two adjustable virtual microphones in a large recording space that provide very clean and characterful sounding reverbs. Both the virtual microphones run through adjustable noise gates with level and pan control.
This isn't a reverb I reach for all the time as I don't always need that Visconti vibe on my vocal tracks, however, when I do feel that a song needs something large and roomy in the vocal reverb department I reach for this and it just works. Tverb is also brilliant as adding organic sounding space to instruments that need distance in a mix without the results sounding processed.
Watch our video review of Tverb by Eventide. This plug-in does not have algorithms for plates, churches or halls
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